(doc / cc) Into the Fire; a film about refugees & migrants in Greece – release date 21/04/13 (info/eng)

Refugees and illegal immigrants queue for registration papers in Athens. 8-6-12 Each week up to 1,000 people queue at the government facility on Petro Ralli road for up to four days. Only around 20 are issued with papers.The Freequency project is happy to participate in the distribution of the Into The Fire documentary, which will be released online on Sunday, April 21st 2013. Until then, you can read some information about the film’s history and crew, as written by Guy Smallman and Kate Mara.
Greece is in crisis. But the economic crisis is not the only one. An asylum crisis has gripped the country at this time of severe austerity. And it hits the most vulnerable: Refugees, including minors, who have left everything behind fleeing their countries to find safety. In Greece, they are left destitute and on the streets, unable to apply for asylum and threatened by escalating racist attacks. Trapped in Greece, they have one message for Europe and the rest of the world: Let us leave!

crowd-sourced distribution
Into the Fire is an experiment in distribution. These days, everyone is talking about crowd-funding. Part of the production of Into the Fire was also crowd-funded. We are going one step further: Not only the production, but also the distribution of Into the Fire is crowd-sourced. On 21st April Into the Fire will be released on simultaneously on various websites and platforms around the internet. An incomplete list of participating organisations and bloggers [http://intothefire.org/publish/distributors/] is available on the film’s website. The international subtitles have been successfully crowd-sourced using social media networks. A team of volunteers has translated the film into a number of languages and new volunteers are still adding more languages.

production history
In April 2012 we went to Athens to make a series of short films about austerity. Before we left, we were contacted by a teenage refugee from Somalia. He emailed us with a list of problems that he and his friends were facing. We met them and filmed a short series of interviews about their deeply shocking experiences in Greece. What we discovered during our one day of filming on the situation of refugees in Greece was unsettling. Once we got back to London, we secured additional funding, toInto the Fire Production Still be able to go to Greece a second time and take a closer look at what was happening. From that starting point, the film grew in an organic fashion that surprised us. It seemed to have a life of its own and drag us along in its wake. We witnessed the aftermath of a racist attack that left a family’s livelihood in ruins and a young man in hospital. We were invited into the crowded home of undocumented refugees. We spoke to refugees who have been waiting for months or even years to apply for asylum. We witnessed a prayer vigil for a young man stabbed to death. We spent a morning with homeless refugees in a park. Along the way, we were impressed by the hospitality, passion and spirit of the people we met. We were saddened and shocked by the stories we were told. We were delighted at the support we received, many people have donated their time and their skills to make this film happen. We made this film on a shoestring. No one has been paid for their work. But we felt this story needed to be told.

We hope many people see this film. We opted to release it under a Creative Commons license [http://en.wikipedia.org/wiki/Creative_Commons] that allows for non-commercial distribution and performance of Into the Fire. Our distribution strategy is the compassion and outrage of everyone who hears about this story: We will work with everyone who is interested, online and offline, to organise screenings and publish the film online. The audience is no longer only the recipient of the media we produce, they have become an active participant, commentator and amplifier. We hope to harness that power to get word out about the conditions in Greece. Whether large websites, a personal blog, or social networks, as the film is embedded or shared, our audience will grow exponentially.

filmmakers bio
Guy Smallman has previously made 15 Million Afghans on unemployment in Afghanistan. He is a photojournalist who has worked in all over Europe, South Asia and the Middle East covering the Lebanon war in 2006 and the ongoing conflict in Afghanistan. His work has appeared in most UK national papers and periodicals. Also on the BBC, Channel 4 and ITV.
Kate Mara studied Film and Video at the University of the Arts London. After graduating with first honours she worked freelance in production and post production, specialising in participatory community media and documentary. Into the Fire is her first independent production.

Anti Fascist Grafitti in Athens.21-1-13

images’ credits + info (top to bottom)
01 – Refugees and illegal immigrants queue for registration papers in Athens. Each week up to 1,000 people queue at the government facility on Petrou Ralli road for up to four days. Only around 20 are issued with papers. © Guy Smallman
02 – Kate Mara hindered from filming by a police officer during a shoot in Greece in April 2012. © Guy Smallman
03 – Graffiti in central Athens, Greece. © Guy Smallman

Into the Fire
The Hidden Victims of Austerity in Greece

a REELNEWS production

Guy Smallman and Kate Mara
Email: intothefire@ucrony.net
Phone: +44.7580.898834

relevant links
Official WebsiteFacebook | Twitter
Production: http://reelnews.co.uk
Languages: English, Greek, Arabic, French
Original Subtitles and Narration: English
Other Language Subtitles (to be updated):
Czech, Dutch, French, German, Greek
Release Date: april 21st 2013

Stay tuned for a full synopsis, a review and the release date!
Διαβάστε το κείμενο στα ελληνικά, στον εξής σύνδεσμο: http://wp.me/p2h0fW-4hr


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